|Drawing tames art. It is so important!|
H O M E
The artist who's talking about the technique part of his work becomes embarrassed : how to make the difference between practice and real life. The objective knowledge is deeply associated with the emotions. During his progression some reflexions complete this knowledge.
Not any decoration can stand something without a spinal colomn. An other image: What tailor could make a fortune in selling the tissues at the price of the smoking?
Without the soul of drawing, the works are a poor color's catalogue. The material is a trace that will never become a sign.
The vocation of this technique is to be teached. I defend the graphic expression: our epoch condamn drawing to serve only publicity. What a shame!
I practise many techniques like charcoal or graphite drawing, watercolor, acrylic and oil painting, sketches or frescos... I try to chose the pertinent technique for each subject: to each inspiration.
The preoccupation of nuances, and the research of purety are ofen more easy to exprime on the paper with graphite and watercolor. Their size is unusual for this type, wider than the traditional works, that seems to be realized more in exterior places than in the painter's studio. The collectors, connoisseurs and curators are used to watercolor paintings with moderate sizes.
The design, the subject
A long synthetic work comes after the painfull sketches of the beginning, that would be forgotten. One particular day, the white sheet becomes naturally fulled: the design comes from the deep of interior.
An original and authentic work can be defined in two ways: because its idea and through its support. But the support can be a mass production with only one unic idea... Creation has to be original before being a production/product.
Infography could be the argument to convince people that invention is mainly «the first idea» more than the insistance of the same idea.